Відео

Here's a link to the free trial : bit.ly/32zqrB8

There's only so much help that can be given in a UA-cam comment. We've tried to answer your initial question many times here. As you are still having problems please contact Support as we linked in previous answers. Without seeing the shot, it's difficult to troubleshoot where it's going wrong. We're trying as best as we can through YT. support.borisfx.com/hc/en-us/requests/new?ticket_form_id=8862260885901

Sorry about that. Here's a new link with the lens grid pdf at the bottom of the article : support.borisfx.com/hc/en-us/articles/27970678623757-Rectify-Lens-Grid

@@borisfxlearn Thank you very much.

Mocha AE doesn't have the magnetic spline tool. But that's OK, you can just use the X-spline tool and make the shape manually. It make take a little bit of time, but it will get the job done. And you'll get faster the more you do it.

Have you tried the Extrapolate Track option? Track to the last good frame, then turn your tracking mode to Extrapolate (you will have to be in the Classic workspace to see this option). Track forwards a few frames and it will keep moving with the same velocity as the previous frames. If your camera movement is smooth, then this will give you a good base to work with. When the object stops blocking the shot, turn the Track Motion mode back to Large Motion and track as normal. A couple of things to note. If your camera movement isn't completely linear then this won't work 100%. But that's OK. When the object is clear, position your tracking spline back to the computer and track forwards. Your "Surface", the actual tracking data, won't be matching perfectly. But that's when you go to AdjustTrack and finish the job. Start on the last good frame, make another keyframe on the other side when you can see the object again, and then tweak from there. You should only need a few keyframes. Here's some good resources : How Mocha thinks : ua-cam.com/video/Qg8iUuNnOhM/v-deo.html Basic AdjustTrack : ua-cam.com/video/FY3WWkv1fDQ/v-deo.html And if you're still having problems, please join us on the forums or Discord channel to get some further ideas : forum.borisfx.com/ www.borisfxdiscord.com/

Have you tried the Extrapolate Track option? Track to the last good frame, then turn your tracking mode to Extrapolate (you will have to be in the Classic workspace to see this option). Track forwards a few frames and it will keep moving with the same velocity as the previous frames. If your camera movement is smooth, then this will give you a good base to work with. When the object stops blocking the shot, turn the Track Motion mode back to Large Motion and track as normal. A couple of things to note. If your camera movement isn't completely linear then this won't work 100%. But that's OK. When the object is clear, position your tracking spline back to the computer and track forwards. Your "Surface", the actual tracking data, won't be matching perfectly. But that's when you go to AdjustTrack and finish the job. Start on the last good frame, make another keyframe on the other side when you can see the object again, and then tweak from there. You should only need a few keyframes. Here's some good resources : How Mocha thinks : ua-cam.com/video/Qg8iUuNnOhM/v-deo.html Basic AdjustTrack : ua-cam.com/video/FY3WWkv1fDQ/v-deo.html And if you're still having problems, please join us on the forums or Discord channel to get some further ideas : forum.borisfx.com/ www.borisfxdiscord.com/

@@borisfxlearn No, it didn't work at all. 😔I bought a mocha pro for this, and now I am really disappointed as it's been for a few days that I have been struggling, i've been watching all your videos and there is just only one very short video with fast speed about " how to track occluded object which is around 2 minutes and I've watched it 20 times but again it didn't work. Why isn't there any video with details about such an important thing like occluded object? Or if there is please 🙏 let me know as I am stuck right in the middle of my project

Take a look at the AdjustTrack videos, or if you have Mocha Pro 2024, then you can try out the Extrapolate Track option. AdjustTrack : ua-cam.com/video/H7L1dmcFx2Q/v-deo.html Extrapolate Track : ua-cam.com/video/pCcs2LqsWFo/v-deo.htmlsi=wPvP9KmzBsfQohNA&t=162

@@borisfxlearn thank you but this is not a right video for what I have explained above ☝️

Track Mattes and Extrapolate Tracks are the topics you are interested in. If the object completely covers the area that's being track then you cannot use Track Mattes and will have to use AdjustTrack and/or Extrapolate Track. As you can tell, UA-cam comments are not the right place to handle this shot. We have a Support ticket system that will be more useful for you : support.borisfx.com/hc/en-us/requests/new?ticket_form_id=8862260885901

If you have Mocha Pro then PowerMesh is obviously a great tool for beauty touch-ups. If you're having to babysit every track then I would recommend checking on the settings that you're using. Here are a couple of good ones for PowerMesh that don't necessarily use the default settings. Don't worry too much about the other hosts, just focus on the Mocha sections : borisfx.com/videos/add-face-paint-with-mocha-pros-powermesh-and-the-insert-module/ borisfx.com/videos/zombie-halloween-vfx-with-mocha-pro-and-hitfilm/

Great idea

Glad to hear it.

Change the Silhouette plugin Render parameter to Composite in After Effects. This will give you the output of the Output node.

Check in the Input node what the Fill dropdown is set to. You may need to change this from None to Transparent, depending on your source clip.

Hey I just tried it out and it works, even if you distort your image in the pre-comp by re-sizing it, it will look normal and correct in the main comp 🙂

Everything past Exercise 12 "Introduction to Mocha Pro Modules" contains Mocha Pro only options. If you're not watching these in order, then I can understand the confusion and apologize.

It depends if you have any detail on your greenscreen. If it is completely smooth, then it's going to be difficult to track. If there is some type of texture, then you can probably track it.

Yes, and this is a task that professional roto artists do for film and TV VFX. If you need consistent, sub pixel perfect mattes across a number of frames, this is how it's done.